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Plus: meat-eating as a sign of masculinity, the importance of breaking tradition, questionable police interrogation rooms and a crater of copulating creatures.Ĭoming up on Wednesday: We’re tackling our newest release ever on the main feed in Jane Schoenbrun’s We’re All Going to the World’s Fair (which is currently available to rent on VOD)! Join us as we try to figure out what the tentacle alien monster represents while, laud the film for its realistic (and graphic!) depiction of gay sex and then jump right into adding a new letter to the LGBTQIA acronym (someone alert GLAAD!). Strap in because we’re discussing our first Mexican film and boy is it a doozy! We’re going to be discussing all the internalized homophobia and tentacle alien monster sexcapades in Amat Escalante’s 2016 film The Untamed! You can subscribe on iTunes/Apple Podcasts, Stitcher, Spotify, iHeartRadio, SoundCloud, TuneIn, Amazon Music, Acast, Google Podcasts, and RSS. When Alejandra finds out, she seeks solace in her new friend Verónica ( Simone Bucio), who tells her of a strange meteorite containing a mysterious creature that acts as a source of both pleasure and destruction.īe sure to subscribe to the podcast to get a new episode every Wednesday. The closeted Ángel is secretly having an affair with Alejandra’s brother Fabián ( Eden Villavicencio). In the film, Alejandra ( Ruth Ramos) and Ángel ( Jesús Meza) are in a troubled marriage. Now we’re making our first journey to Mexico as we discuss the tentacle alien monster at the center (end?) of Amat Escalante‘s The Untamed (2016). Here are our 30 essential LGBTQ+ horror movies, in order of release.After traveling all the way to Sweden to look at the evolving friendship between Eli and Oskar in Let the Right One In, we changed up the pace a little bit with an off-kilter pick in Robert Zemeckis’ 1988 masterpiece Who Framed Roger Rabbit. The monsters are out of the closet, and they’re never going back in. Now in 2020, we can choose from a lesbian domestic drama involving a baby werewolf in Good Manners, a transfeminist vampire movie in Bit, or a French slasher set in a gay porn community with Knife + Heart. The indie cinema boom at the turn of turn of the millennium coincided with the emergence of New Queer Cinema, and eccentric coming-of-age darlings like May and Ginger Snaps provided an alternative to the glossy studio slashers of the time.
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The Moral Majority reign of the Reagan Era slammed up against the AIDS crisis, and the excess and tumult of the ’80s gave rise to ultra-stylish and sexualized gore in movies like The Hunger and Hellraiser. (Not to say it was all positive representation, but the lesbian vampire wave of the 1970s certainly signified that the puritans were losing the culture wars in genre.)
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On rare occasion, queer folks were given real protagonists to root for, like Theo in The Haunting, but it wasn’t until the Hays Code was abandoned in the late 1960s that sexuality outside the bounds of heteronormativity became more overt.
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In the century since America became the world’s leader in horror film production, the genre became a bastion for the outsiders, the marginalized, the people made monsters by self-appointed adjudicators of sin, and who saw themselves in the supposed “villains” at the center of stories like Dracula’s Daughter. Fortunately, they weren’t creative enough to drive the big bad Other away. Here was Whale, a gay man, building horror in his own image and having astounding box office success as some groups were lobbying Hollywood to censor queerness out of existence. Before homosexuality was formally legislated out of existence in Hollywood by the Production Code - commonly referred to as the Hays Code, which established mandates for “moral standards” in motion pictures and banned depictions of “sexual perversity” - the legendary filmmaker James Whale was building the foundation for American genre cinema with films like Frankenstein, The Old Dark House, and The Invisible Man. (Photo by © Altered Innocence / Courtesy: Everett Collection) 30 Essential LGBTQ+ Horror MoviesĪs long as there have been horror films, there have been queer horror films.